In recent weeks, Bayley has been featured in WWE backstage vignettes portraying a psychological battle with herself, where she hears different voices urging her actions. This storytelling device has drawn attention for its depth, as Bayley navigates between conflicting sides of her personality following a disappointing run chasing the Women’s Intercontinental Championship. Dreamer pointed out that this character evolution could allow Bayley to portray multiple facets — or “faces” — in a manner similar to Mick Foley’s infamous characters: Cactus Jack, Dude Love, and Mankind. He remarked, “If we went from ding dong Bayley to huggable Bayley to current Bayley, we never knew which Bayley we could get”[1].

Tommy Dreamer’s comparison underscores the ambitious and nuanced nature of Bayley’s current creative direction. Foley’s “Three Faces” gimmick was groundbreaking for its time, as few wrestlers have succeeded in convincing audiences of multiple distinct personas under one performer. Dreamer posited that aside from Foley, Bayley is uniquely equipped to pull this off with her charisma and acting prowess.

While Dreamer’s assessment is optimistic, it contrasts with some other views about Bayley’s 2025 booking. Despite her talent and popularity, multiple reports, including a Bleacher Report analysis, have criticized WWE for underutilizing Bayley this year. The report highlights that Bayley has often been sidelined on major shows like SummerSlam and relegated to roles that primarily enhance other talent, such as Cora Jade, Giulia, or Bianca Belair[2]. The lack of consistent storylines and top-tier opportunities has frustrated some fans and insiders, suggesting WWE has struggled to find a compelling direction for Bayley despite her in-ring skills and connection with the WWE Universe.

Interestingly, former WWE star Matt Hardy has also weighed in, drawing parallels between Bayley’s current character work and his own “Broken” gimmick, which famously involved layered personas and unconventional storytelling[1]. This comparison further supports the idea that Bayley is exploring a psychologically complex phase, though her character approach seems closer to Foley’s multifaceted depth according to Dreamer.

Bayley’s ongoing transition reflects WWE’s experimentation with character development among women’s wrestlers beyond traditional face-heel dynamics. According to sources close to WWE creative, the recent vignettes are part of a long-term plan to strengthen Bayley’s narrative presence and enable her to showcase a wider emotional range on television[1]. This aligns with WWE’s broader strategy to invest more in storytelling as a tool to engage fans amid growing competition in the pro wrestling landscape.

In summation, Tommy Dreamer’s endorsement of Bayley channeling the “Three Faces of Foley” offers an intriguing lens through which to view her evolving character. Though WWE has faced criticism for her booking in 2025, the current vignette work demonstrates an opportunity for Bayley to tap into a rich tradition of complex wrestling personas pioneered by Mick Foley. Should WWE fully commit to this storyline arc, Bayley could revitalize her run and carve out a unique legacy within the modern era of women’s wrestling.

Sources: WWE.com, Wrestling Inc., Bleacher Report, Busted Open After Dark podcast[1][2]